![]() That is my goal, to make my personal poetic in most authentic way I can. that's how I feel and I am trying always to create from emotions, from sincere thoughts and feelings, not to follow any trends different from my instincts. I never regretted coming back to painting and art studies even though it is not existentially an easy choice.at the very end of my master studies I felt that watercolor is so close to me and currently, I am still in watercolor phase (most of artwork here represented are watercolors - but it doesn't mean it will be like that forever). After several years I realised that I have to go back to my first love and in 2009 I applied in Faculty of Fine Arts in Belgrade, a prestigious state faculty, which belongs to Belgrade University of Arts, and studied printmaking for BA degree and later MA studies in painting, which I finished and graduated MA degree in 2014. My love for drawing and painting began in my early childhood, since when I was able to hold a crayon or a felt tip pen (which was my favorite medium).I went to different private art classes during high school, but later decided to study philosophy in Belgrade University. NOTE 2: If you buy one of my works, please, before framing, assure that they have a lining process (I don't know the word for it in English-professionals who frame paintings know: they use press to straighten artwork on paper and glue it to a harder surface- cardboard etc, if I made good explanation- and then the watercolor gets its FINEST QUALITY and looks at its BEST, wrinkles and waves are gone!). *commisions are available* NOTE 1: Please have in mind that watercolors are very hard to represent throughout the photos, they always look different (mostly much better) in reality. ![]() ![]() I used lots of linen oil like I use lots of water in watercolors, but the effect on canvas is different and yet interesting in its own way. This large painting is inspired with Franz Marc Blue Horse. Since I love watercolor painting, I wanted to paint with oil colors like I paint with watercolors to see what will happen. IMPORTANT NOTE for buyers - the picture will be sent rolled in a tube without the wooden frame because it is so large and heavy and shipping costs for buyer will be more expensive that to put it on new wooden frame. better quality picture will be posted soon(I took this picture on a dark February day, on daylight, with no looks more yellow than it really is).thank you for understanding. This is how much this painting means to me.so I wanted to give a tribute to him and the painting by doing it in this liquid style of mine, but on canvas, with oil colors, which turned very abstract, but I like it, hope I am not the only one. I love him today, I have print on my desk to look at him whenever. I fell in love with Blue Horse, among all these paintings. Spirituality complement the yellow sensuality of the cow.Franz Marc's Blue Horse I fist saw (I think ) in a book of Art History, when I was 15-16. Given Marc's identification of blue with maleness, and the probability that Blue Horse I is to a degree a self-portrait, the blue mountain can be seen as the embodiment of Marc's aspirations - artistic and otherwise - which in their Later, Paul Klee, another associate, would also employ the triangle-mountain with great frequency.īecause of the importance of this form to Kandinsky, and the subsequent adoption by Marc and Klee, the triangle-mountain was likely a logo of Blue Rider ambitions by the time Yellow Cow was created. Marc, who was already a close friend of Kandinsky in 1911, was to write of him:Īt least there is a man who can move mountains - and how grandly he has done so to know this is inexpressively reassuring. With this description, the mountain, a prominent from in Kandinsky's paintings of 1911-14, possesses the same meaning he ascribed to the triangle. Hierarchical segmentation into spiritually advanced and conventional layers of human awareness, Kandinsky interjected another parallel: "An invisible Moses descends from the mountains and sees the dancing around the golden calf." ( in a similar spirit, the horse and rider later become equated with a circle.) In the course of his 1911 discussion of the triangle and its Impact of the triangle equaling the finger of God in The Creation of Adam by Michelangelo. Kandinsky dealt in typological parallels for example, he wrote of the abstract So important was the triangle to Kandinsky that he employed it as part of his signature in nearly all his prints throughout his career. ![]() In that book, he emphasized the significance of the triangle as a symbol of the striving soul of the individual and humanity in Wassily Kandinsky wrote Concerning the Spiritual in Art in 1911, at the time Yellow Cow was painted. ![]()
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